Product review: UberKinky Wax Play Candle Pack

Wax play is incredibly fun as a stand-alone kink, it has its own unique mix of sensation and emotion, but it is also one of those forms of play which I have found works brilliantly as an addition to others.

I have found it a beautiful accompaniment to Shibari and Kinbaku (strategically placing candles in the rope which then paint the model with wax while in bondage can invoke some of the most visual of BDSM art as well as produce some of the most intense play scenarios). Even impact play after a little wax play, where you are literally flogging, caning or spanking the wax off the body makes for an incredibly different scenario and plethora of sensations.

When Uberkinky offered me a pack of their specially designed wax play candles to review, I greedily grabbed the pack and started to drool at the thought of where I could add them for best effect (both ‘scenario’ and ‘body cavity’).

One of the things I noticed more than anything else with the UberKinky Wax Play Candle Pack is the quality of the wax itself, they are paraffin based which means they have a tendency to melt a little quicker and feel a little waxier, but more importantly; they produce a wax that is completely devoid of the soot which tends to accumulate with normal candles when you invert them (which, while being a positive attribute for any play, in my opinion, makes them especially good for rope performance on stage where time and appearance are very important factors).

I have also noticed that there is very little in the way of wax evaporation. lots of drippage and body coverage while using only a fraction of the candle and the wax burns at a slightly lower temperature, meaning you can add a larger range of sensation without feeling as though you are about to unpleasantly burn off a layer of sensitive skin.

The only downside that I can think of is the fact that they are colour dipped instead of a solid colour. The center of the candle is a white wax that takes on the colour of the candles dipped shell as it melts, which, while adding colour to the dripping wax, means that the dripped wax on the body is not as vibrant a colour as the candle itself. It is only a small downside, but a downside nonetheless. I still think the positive value of these candles far outweigh that single noteworthy negative.

As an added bonus for people who are new to this form of play, Uberkinky has written up the Beginner’s Guide To Wax Play which gives tips on safety, aftercare, how to get started and much more. Worth a peek 😉

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Artwork: Isobel Williams@BOUND, London – 22/11/13

One of the artists which I seem to be encountering more frequently these days (though usually not directly as I frequently fail to spot her, and when I do manage to, I loath to interrupt her because she is often putting brush or ink to paper) is Isobel Williams.

She has drawn Benjamin and I in the past at Dr Phil’s London shibari workshop and now it seems that we have mused for her once more with our performance at BOUND last weekend.

Bound 22xi13 3

I am always honored when used as inspirational material for any artistry and I think Isobel did a wonderful job at capturing a moment within our performance.

You can see more of her work at http://boulevardisme.blogspot.co.uk/

I would highly recommend a peek.

A Velvet Thought – Mistresses Musings: An artists touch

I have a good number of friends who are artists and in the past it has been my privilege to have had unique pieces of art drawn of me or for me.

During a little rummage through my storage, I have come across my collection. I cherish every one and class some of them as among my most prized possessions (alongside my top hat, floggers, cane and antique violet wand). Two such drawings in particular. Both of which I had full intentions to get framed, but due to life becoming rather hectic; I stored them safely and vowed to “get around to it” when free time became more readily available.

Unfortunately, I still have no frames (or much free time). However, that does not mean that I cannot share them on my blog!

This first drawing was done by Gillian Pearce of Hellionsart.com. I have known Gill for about half a decade now and a couple of years ago I had the honour of being drawn by her. It was at one of the numerous gaming conventions which I frequently attended back then due to doing a bit of freelance writing and photography for a gaming magazine (which shall remain unnamed). I was wearing a particularly steampunk attire at the time; I think she did a wonderful job.

Steampunk Aemilia  Steampunked

She does commissions and they make excellent personalised gifts, so go and check out her site when you get the chance at: http://www.hellionsart.com/

This second drawing was done by none other than Ralph Horsley. Again, I met Ralph during my freelance gamer writing days and this one was drawn with the concept of having a few more of what I would consider “natural characteristics”. I already have my fangs and claws showing. Why not wings, horns and tail too? Wishful thinking; such is the mundane society we live in. I get attention enough already.

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Ralph has done a few sketches for me in the past, but this one has always been my favorite.

One day, I will get them all framed. Hopefully I will have a few more by the time I get around to it so that I can create a collage of them on the living room wall (anyone interested in using me as their muse, please feel free to contact me as I would enjoy the opportunity), but in the meantime they will remain safely sealed away.

Concept & Design: Demonic cloven hoof / knee-high boot hybrid

One of the skills required to be a successful Dominatrix is imagination. Without being able to dream up scenarios, tortures, temptations and other sinful activities, a Dominant would not get very far at all. A moderate to high level of wit is a prerequisite to be competent in this kind of lifestyle or profession.

Even with my business: Kabunza, I dream up concepts and creation ideas on a daily basis to be crafted in our workshop.

Back in 2009, I came up with a design for creating a demonic cloven hoof/knee-high boot hybrid. My aim was to add to my already demonic looking persona by extending these features into my clothing. The majority of my clothing was already custom created and I have always preferred deviating as far from the mundane as possible, so this kind of eccentricity in clothing did not seem odd to me at all. I would still wear these if I could ever find someone to make them for me. I also realise the possible ponyplay applications of such footwear, but that is beside the point.

In 2010 one of my very talented artist friends came to live with me for a while, and it was during the course of her stay that we managed to sit down in front of her computer to create a visual representation of my concept. Her name is Linda Jones (formerly Linda Pitman) of www.sheblackdragon.com.

One night, after many glasses of a rather vulgar sweet brandy, we had the basic concept sketches saved to file (which managed to take up about 6 hours of an evening because of the alcohol fueled, sidetracking anecdotes and titllating conversation). We unsteadily motioned to bed at around 4 in the morning with vows to finish up the artwork on the following day, and sure enough, as expected, the next morning we spent a further 3 hours in front of the computer screen finishing up the design art; such is the pace at which we meandered during the course of the 6 month period that she lived with me.

So, because I have recently stumbled across the design amongst my archived files and photos, and because a lot of heart went into the artwork and concept (as well as a lot of expensive brandy), I have decided to publish the design to blog in the hope that one day someone skilled enough might build me a pair.

I will explain in detail each part of the concept: fitting, materials, design etc. But please be aware that I have never been a shoemaker or cobbler, so while I am fairly certain that the design would work and work well, it may still need tweaking in the material options or physical creation side of things.

The images have been watermarked for copyright but they should not get in the way of showing off the design.

Let us start at the base and work our way up to the finished concept. These two images below show the hoof cast part of the construction. The first is what the hoof cast would look like as the foot is slipped inside it and the second is a cut section showing where the foot fits inside the cast.

Aemilias cool demon boofs (hoof cast) copy

Aemilias cool demon boofs (cut section) copy

Basically what is needed is the base of a standard high heel boot (or shoe) with the heel removed and any material from the ankle upwards removed (an inner shoe). The hoof would be cast around this using acrylics or resin. Support is given to the heel using the same materials and would also create the main bulk of the hoof. The space between the outer hoof and the inner shoe would be filled tightly.

The outer hoof needs to be made from a hard material, but a softer and more comfortable material would be better for filling the gap between the outer hoof and the inner shoe. A silicone rubber or something similar would probably be optimal. It needs to be softer but also durable, heavy and quite solid to avoid the foot moving or rubbing on the inside the hoof. The space between the inner shoe and hoof would need to be filled completely and would likely need to be a tight fitting.

The base of the hoof would need a rubber plate or grip to make sure that when walking on a smooth surface such as concrete or hardwood floor, the wearer would keep their footing. Without any grip a person would end up slipping and tripping all over the place (please see the last image in this blog for a diagram of underneath the hoof and what the grip should look like in my opinion).

As you can see from the cut section image, the hoof resin would support the heel quite solidly when combined with the sole of a high heel. However, should more support be needed then a thin metal plate could be shaped and placed between the hoof resin and inner shoe for a stronger support.

Next we look at the leather sleeve.

Aemilias cool demon boofs (final)

The leather sleeve is essentially the upper part (from ankle to knee) of a standard pair of knee high boots with added leather to accommodate the ankles, the heel and to overlap a small portion of the hooves. This upper boot is sewn/attached directly to the foot opening of the hoof resin, roughly where you can see the dashes in the image signifying stitching. A small overlap of leather is then left to flap over the hoof so that the stitching is hidden. This gives the appearance of the hoof being more realistic.

Aemilias cool demon boofs (inner boof) copy

Like any pair of knee high boots there will be a zip on the inside of the leg for ease of wearing and removing. The laces and buckles have a purely aesthetic value and would have nothing to do with the functioning of the finished item.

In this last image we see the design from a slight angle as well as the underside of the hoof to show off the grip.

Aemilias cool demon boofs (outer 3D)

If anyone can help me in the construction of this item, please let me know as I would be very eager to see my design made real. If you wish to use an image or create this design for your own purposes, in part or in whole, please ask. We will most likely be happy to condone it as long as we are fully aware of where and why.

Design and Concept ©2010 Aemilia Hawk. All rights reserved.
Artwork ©2010 Linda M Jones. All rights reserved.