Kabunza: Chocolate Decadence

I had to do it sooner or later: The first matching set of BDSM impact play toys by Kabunza.

When I originally decided to start building a matching set, it was also going to include a matching collar, wrist and ankle cuffs, and a necklace for the Dominant that would have the key to the collar and cuffs as a pendant. Then I realised that the amount of cash I would end up needing to charge someone for all of that, and the matching toy collection as well, would likely be outside the range of a standard budget (not to mention incredibly hefty in materials and time consuming on my part).
So, despite being able to do it (who knows, I may get a custom order for such a set in the future), I decided to simply stick with a collection of impact toys.

This first matching collection brings about the introduction of Dragon Tails into our range of BDSM products. Which, despite being one of the more difficult items to incorporate chainmail into, seems to have turned out rather nicely. I have personally tested the design and I am more than happy with the results. These things pack a thrilling sting, feel lovely in the hand and, at the same time, are very aesthetically pleasing.

Anyway, let us get down to the details:

“Chocolate Decadence” BDSM Impact play set:

This set consists of 5 items in total: A pair of Kabunza Poi Floggers, A pair of Kabunza Nunchaku Floggers and a Kabunza Dragon Tail.

Details of the “Chocolate Decadence” Poi Floggers:
These have a hefty total length of 28 inches from tip to tip. They give a wonderful “thuddy” experience.
Statistics:
18 inch European chocolate suede leather falls (1 centimeter in width).
5 inch length of solid bronze “Box Chain” weave chainmail (8mm rings) chain.
Black Italian goat skin leather Turks head embellishes.
European chocolate suede poi finger loops.

Details of the “Chocolate Decadence” Nunchaku Floggers:
These have a hefty total length of 28 inches from tip to tip. Clearly a flogger for the discerning connaisseur. On an additional note: These floggers will never tangle due to the ball bearing swivel.
Statistics:
16 inch European chocolate suede leather falls (1 centimeter in width).
3 inch length of solid bronze “Box chain” weave chainmail (8mm rings) chain.
Black Italian goat skin leather Turks head embellishes.
8 inch Black ‘Chinese red oak’ wood Nunchaku handles with engraved, European chocolate suede leather embellished, grip.
Plated steel ball bearing swivel connection.

Details of the “Chocolate Decadence” Dragons Tail:
The newest addition to the Kabunza arsenal: The Dragons Tail. With a flickable length of over 35 inches, this tail comes with a guaranteed sting which will, no doubt (we hope), be administered with love.
Statistics:
25 inch European chocolate suede tail.
10 inch handle containing a solid pinewood core, layered inside the leather of the tail (this is a single length of leather) to assure strength and have the added bonus of a very comfortable grip.
Embellished and strengthened further with solid bronze “European 4:1” chainmail and waxed black cotton cord.

Why did I decide on the first set being something other than black? Because I wanted to do something different. Something a little ‘Steampunky’ and something that incorporated Bronze instead of the more commonly used metals.

Our aim as a business is (and always will be) to bring only the pinnacle of quality and craftsmanship to the table while also standing out from the crowd, avoiding the norm (even amongst the kink) and to be unquestionably unique.

I think this first matching set (of what will hopefully be many) pulls off all of those aspects rather nicely.

The set has been given a name for a reason; this set is one-of-a-kind. I have no more of this type of suede leather and I doubt I will be getting any more bronze rings unless specifically requested for other custom creations.

It is now available for sale in our Etsy shop and I wish any potential buyers the best of luck in attaining it. Once it is sold, it will be incredibly unlikely that I will ever have the similar materials to build another.

Musings of devotion: Servingboi 14/06/13

Are they broken thus who love You best

Harried by You into minionhood

Hurts that You bestow upon the besotted wretch

That You might fasten lasting bonds

To fasten tight the balls and cock 

You confiscate the will of men You kiss

Would it were Your lips that kissed

But by boot and hair in Your fist

Is Your fury and rule distilled

That You as Kali’s daughter know power

And dance upon the world 

As on my back Your peerless Beauty rides

The slave labours to build Your altar.

Introductions: Phobos & Deimos

A little under two weeks ago, Benjamin and I visited the Birmingham Bizarre Bazaar and every time we visit; a look over a particular trade stand is mandatory: Jack’s Floggers.

Obviously, my collection of toys is quite vast. I have many. But, it should come as no surprise that the named items in my collection of BDSM weaponry are the items which are not only my favourites and have incredible sentimental value, but that which are also crafted to the insanely high quality which meet my exacting standards. My named items are actually quite few in number (comparatively speaking).

Jack’s Floggers created the majority of my named toys: Sasha & Tempest, Scylla & Charybdis, Pooky and now also Phobos and Deimos. He is possibly my favourite designer and creator of impact play toys.

In fact, the only named toy that I currently own that he has not created is Angele (which was originally created in 1933 by Vitalis and fully restored by Lisa from Bound2Tease.net).

———————————————————————————————————————————————–

Phobos and Deimos are the latest additions to my arsenal of named beauties. Lovingly purchased for me by my Benjamin while mandatorily visiting Jack’s trade stand.

Normally I have my custom items designed from Dymondwood, this set has handles which have been created from my second favoured choice: African Blackwood. The reason for such is because they were not originally custom designed for me, I simply fell in love with them upon sight.

Phobos and Deimos are what I normally refer to as ‘detached’ floggers. Which means that the falls are detached from the handle by a short length (in this case, a 3 inch detachment of platted leather followed by 16 inches of soft but heavy, full suede falls).

Named after the mythological twin offspring of the Greek god or war (Ares) and the Greek goddess of beauty (Aphrodite), Phobos (fear) and Deimos (dread) were said to accompany their father into battle (for my geeky readers: the two moons of Mars bear the same namesake).

They pack quite a lovely thud. I am still applying treatments of moisturising cream to Benjamin‘s back to sooth the impact dehydration from that evening of public floggings (though I will admit that he received quite a lot of punishment that night).

Without a doubt: Worthy of their names. Thankyou my sweet Benjamin. I love them.

Quotations: 2012

Continuing the quotations of the year posts, here is the selection for 2012.

You can see the ‘Quotations 2011’ post: Here

Favorite quotations of the past year (including some that I have not been able to ‘tweet‘) in a single blog post purely for fun.

As usual, no names will be mentioned and people will be referred to in an anonymous fashion or title. Of course, you will all know who you are from being present when I had said the quote in question. Try also to bear in mind that almost all of these quotes have been said in the heat of the moment and are not meant to offend any readers of my blog.

Enjoy.

———————————————————————————————————————————————–

Menial: “Please Mistress! Flog my back, my backside, anything! just not there! Please!”
Mistress Aemilia Hawk: “Do you realise how much skill it takes to hit a target that small? This is the best practice I have had in years.”

Menial: “Mistress, I love your teeth, please bite me.”
Mistress Aemilia Hawk: “I try to avoid junk food.”

Mistress Aemilia Hawk: “What do you think?”
Friend: “Very nice.”
Mistress Aemilia Hawk: “I am not sure if that is a compliment or an insult.”

Mistress Aemilia Hawk: “Where there is a whip, there is a way.”

Menial: “what are your favourite colours, Mistress?”
Mistress Hawk: “Sable, Onyx, Ebony, Coal, Jet, Raven and I sometimes like Black as well.”

Mistress Aemilia Hawk: “I am actually very good at appearing as though I am paying attention.”

Mistress Aemilia Hawk: “I will not recite the rules, but I expect them to be followed regardless.”

Mistress Aemilia Hawk: “My mother said to me, ‘If you join the armed forces, you’ll be a general; if you become a priest, you’ll end up as the first female Pope. Instead, I became a Dominatrix and wound up here.”
Friend: “Though you would probably get more kinky sex if you were the pope.”

Mistress Aemilia Hawk: “Quite cramped. No room to swing a cat. Not that I swing cats. Or eat. Trying to cut down. Cholestero- Uhh, morals. I mean morals.”

Mistress Aemilia Hawk: “Even evil genius such as mine needs a day or two off on occasion.”

Mistress Aemilia Hawk: “I am not intentionally being funny. I am just instinctively cruel and people think that I am joking.”

Mistress Aemilia Hawk: “Politicians: More slippery than catfish in a jar of Vaseline.”

Mistress Aemilia Hawk: “More money is spent on boob jobs and Viagra these days than on Alzheimer’s research. By the year 2040 all the elderly will have perky breasts or stiff erections but no idea why.”

Menial: “For some women it is flowers or chocolates or jewelry, What is the quickest route to your heart, Mistress?
Mistress Aemilia Hawk: “You cannot find a rout to what does not exist”

Mistress Aemilia Hawk: “Everyone has an opinion. Mine just matters more.”

Menial: “You know, Mistress, underneath it all, I think you are quite nice.”
Mistress Aemilia Hawk: “Repeat that disgraceful slander and I will make a stew out of your tongue.”

Mistress Aemilia Hawk: “A Mistress is never wrong. Even if they are.”

Mistress Aemilia Hawk: “Judging from personal experience, I am fairly certain that ‘pot pourri’ is french for ‘not crisps’.”

Mistress Aemilia Hawk: “Everyone fantasises to escape their mundane lives. The difference is that in my line of work, I am the fantasy.”
Friend: “You must get some real perverts.”
Mistress Aemilia Hawk: “If I am lucky.”

Mistress Aemilia Hawk: “Your skull, My urinal.”

Mistress Aemilia Hawk: “Be a darling and pop my tinny hymen for me.” (in reference to opening a can of ‘Pussy’ energy drink)

Mistress Aemilia Hawk: “I dislike watching the news and for good reason. They begin by saying something along the lines of ‘Good morning’ or ‘Good evening’ and then proceed to tell you why it is not.”

Mistress Aemilia Hawk: “I did not evolve my way to the top of the food chain to be a vegetarian.”

Mistress Aemilia Hawk: “Are you frightened?”
Menial: “Yes.”
Mistress Aemilia Hawk: “Not nearly frightened enough.”
Menial: “Lord of the rings quote?”
Mistress Aemilia Hawk: “No, common sense when someone as sadistic as myself has you chained to a cross.”

Vanilla/Mundane: “Could I visit your dungeon?”
Mistress Aemilia Hawk: “Yes.”
Vanilla/Mundane: “What would happen if I did?”
Mistress Aemilia Hawk: “That would depend on my mood.”
Vanilla/Mundane: “Would it hurt?”
Mistress Aemilia Hawk: “Probably.”

Mistress Aemilia Hawk: “You are twisted, perverted and sick. I like you.”

Mistress Aemilia Hawk: “I do like to try everything once, and then once again, and then once again, and then once again.”

Mistress Aemilia Hawk: “Don’t worry. It only seems kinky the first time.”

Mistress Aemilia Hawk: “I always try to provoke offence. It tends to make the mundane more interesting.”

Mistress Aemilia Hawk: “Pray that I never make a promise, for I shall always deliver on it.”

Mistress Aemilia Hawk: “I do try to quell most of my instincts when in polite society”

Mistress Aemilia Hawk: “Once you get past the evil aura, teeth, claws, demonic nature, unholy eating habits, disgust of the mundane, and other small, often unnoticeable abominable characteristics; I am actually not so bad.”

Mistress Aemilia Hawk: “Compassionate? Moi? Disgraceful slander I tell you!”

Mistress Aemilia Hawk: “Given my insatiable passion for hitting things with other things, it seemed appropriate”

Mistress Aemilia Hawk: “Give a financial Dominatrix a flogger and she will demand money from you to have the privilege of passing it to her hand and she will have no clue as to how to use it or have any inclination to do so, of course; this is if you actually manage to meet them in the flesh. Give a professional Dominatrix a flogger and, 9 times out of 10, she will show you how to hit someone with it for money. Give a lifestyle Dominatrix a flogger, preferably someone that has a few years experience, and she will show you how to make it dance.”

Mistress Aemilia Hawk: “I hope you realise that I will need to punish you for worshiping a false deity.”

Mistress Aemilia Hawk: “I do so love an audience.”

Mistress Aemilia Hawk: “Mine.”

Mistress Aemilia Hawk: “He looks so “My little pony” that I would not be surprised if he had a rainbow brand on his backside and ejaculated marshmallows.”

Mistress Aemilia Hawk: “Despite public opinion, I am always on my best behavior. It is just unfortunate that my best behavior is often considered quite anti-social towards the mundane.”

Mistress Aemilia Hawk: “For the love of everything kinky, use what little common sense it takes.”

Mistress Aemilia Hawk: “Attempting to imagine what they would have produced in the 1930’s if they had decided to create a violet wand to damage instead of heal has been the subject of recent wet dreams.”

Mistress Aemilia Hawk: “Do try to avoid cringing when I smile.”

Mistress Aemilia Hawk: “Hi ho, hi ho, it’s off to work I go, With a whip and cane to distribute some pain, Hi ho, hi ho-hi ho-hi ho.”

Mistress Aemilia Hawk: “4 teeth surgically removed, 3 of them wisdom. Disappointed. Many told me it was going to be excruciating. Frankly, Kinbaku is more painful.”

Mistress Aemilia Hawk: “This Halloween was incredibly peaceful. Not a single trick or treat’er. When I talked to a neighbor this morning, she said it is because all of the children in the street are scared of the ‘demon lady’ and would not approach my door. I feel like all my years of hard work scaring the crap out of children on Halloween is finally complete.”

Mistress Aemilia Hawk: “You tremble, your nerves betray you and I can smell your scent on the breeze. You are oozing fear!”

Mistress Aemilia Hawk: “A healthy diet, a nimble body and a kinky mind is beneficial. A sliver of masochism helps substantially.”

Mistress Aemilia Hawk: “Personally, I like it rough.”

Mistress Aemilia Hawk: “Do something constructive: Cut out your tongue.”

Something beginning with ‘K’

Recently it has been quite a busy time for me and mine. We have attended about 6 events in the past two weeks, hence why there has been such a delay in blog posts.

One form of our play that has lately been taking a large portion of our attention is Kinbaku.

In this post I am going to explain a little about what we go through before, during and after play of this kind. I must stress that these opinions are based solely from our own perspective and experiences.

“Kinbaku, for me, is the only style of rope that is really close to my heart because it is not simply about tying pretty patterns. It is about awakening emotions, senses and arousal. With any other type of rope play; you can tie someone, but with Kinbaku, you must put your heart and soul into it. It’s emotion, it’s connection, it’s control, it’s sensual.” – Benjamin.

Stage 1: Preparation

Before any play can take place, a little preparation is required.

If suspension is going to be played with (which should by no means be done without experience and correct tuition); This equipment needs to be set up, ropes need to be neat and within accessible reach of the playspace (messy ropes can mean play is interrupted with entanglements) and EMT shears (safety scissors) need to be equally accessible.

“Anybody can tie someone in rope, but the biggest responsibility is being able to tie safely. The ability to read your partners body and signals is paramount. Benjamin can read me so well because of our incredibly close bond, which is reinforced through our other forms of play, but when tying someone for the first time; communication is key.” – Aemilia Hawk.

An aesthetic setting or props (even something as simple as a blanket or mat on the floor) can help set the mood.

Stage 2: Stretching

Stretching is important. It loosens the muscles of the model and lessens the possibility of discomfort or fatigue while in bondage. While the model is stretching, the artist is often going through his/her mind what effects are desired or what is intended to be accomplished during the course of play.

“A healthy diet, a nimble body and a kinky mind is beneficial. A sliver of masochism helps substantially.” – Aemilia Hawk.

Stage 3: Floor work

The floor work is essentially the start of actual play. Some people prefer a standing start, others prefer seated (of course, each can be utilised for specific or desired effect). The aim of floor work is basically to set the tone and flow of play. It can be violent and rough or soft and sensual depending on the moods and preferences of the play partners (choice of music, if any is used, tends to influence and effect play). This stage is often when all the bondage is applied and readied for suspension, however, sometimes the duration of play can be nothing but floor work and have no suspension at all.

“To me, the floor work is is very important, it is about the closeness, the touch, awakening my partners senses and the choice of how I am going to go about controlling the flow of play. It is building the foundations of the play ahead and even though I am in control, I am sensitive to and guided by Aemilia‘s reactions. It is not about the rope, but how I choose to use the rope. This part of play is what has truly made me fall in love with Kinbaku.” – Benjamin.

  

“Personally, I like it rough.” – Aemilia Hawk.

Stage 4: Partial/Full suspension (optional)

If suspension is a desired effect, the rigging is then applied.

WARNING: Partial or full rope suspension should not be attempted without training or tuition and even with such things, it can still be dangerous. Possible injuries can include permanent nerve damage.

“As safety is a prime concern, please be aware that, like so many good things in life, there is always possibility of accidental injury. Rope suspension is undoubtedly edge play and should only be undertaken by those who are physically and mentally up to the challenge. Suspension is safe but not without risk, regardless of proficiency or experience, so is definitely RACK (Risk Aware Consensual Kink) rather than entirely SSC (Safe Sane and Consensual). The more extreme suspensions require a high degree of fitness and often a reasonable pain threshold, so don’t imagine everyone can do what professional models make look easy!” – Bruce Esinem.

Stage 5: Suspension transitioning (optional)

Some positions are more uncomfortable than others, every model is different and what some will find easy, others will find incredibly difficult. But regardless of the person, It is a good idea to keep the model moving and a bad idea to keep them suspended for lengthy periods of time. This may be as simple as spinning or gently swinging the model while in suspension or even changing (in part or in whole) the suspension itself.

Stage 6: Back down to earth

If suspended, it is very important to bring the model back to the floor safely (untying the correct lines in sequence to ensure balance is maintained). Even when the main line is removed and there is no attachments to the suspension point, it is the artists responsibility to keep hold of the model until safely on the ground (light-headedness, euphoric emotions or sensory overload can cause the model to collapse easily).

The untying is just as important as the rest of the play. This is where the artist may decide to change the flow of play to opposite of what has been earlier.

“In my case, this point of play is often when I enjoy the more sensual and soft touch. For me, it is an unveiling of the skin beneath the ropes and I often add small touches to our play; like using the ends of the rope to caress or running the rope over sensitive erogenous zones while untying.” – Benjamin.

Stage 7: Aftercare

Aftercare is important in any form of BDSM play. Rope bondage is painful (especially suspension), despite how easy a model can sometimes make it look. Aftercare can range from a soft and sensual embrace, applying skin creams to marked areas, gentle kisses and all kinds of affections shown. The list of possible aftercare is limitless and is often unique and personal between the play partners themselves. Aftercare should be just as significant as the play itself.

“I know Aemilia goes through a lot, emotionally and physically, during our rope play. The aftercare is an important way of showing my affection towards her. It is my way of saying thankyou.” – Benjamin.

“I am not naturally a submissive person, but when the play is ending and I am recovering from the exertion and pain; and he warmly embraces me with a stubbly kiss on the neck, I just melt. I have no idea why. It is a unique sensation.” – Aemilia Hawk.

Or maybe, after all I have written here, it may just be a case of Benjamin having ‘Dirty old man’ syndrome and wanting to fondle me when I am lacking the ability to bite back.

He is nodding, so it must be true.

Photography by Raven Imaging.
All images are Copyright © 2012 AemiliaHawk. All Rights Reserved.

Kinbaku and Shibari: Private tuition with Esinem and Nina Russ – 14/10/12

From the 12th October -14th October, Benjamin and I spent the weekend in London under the tuition of the Shibari and Kinbaku professionals : Esinem and Nina Russ.

Rope play has always been an interest of mine (unfortunately, having claws can make it difficult to master effectively; ergo, I have never done advanced courses), but when Benjamin was introduced to images and movies of it, he fell in love with the artform and expressed a huge desire to learn it. I, in turn, have nurtured this desire (as well as offering to be his practice model) and after several months of play, practice and research, higher learning for him was inevitably required.

When it comes to any form of bondage, especially rope bondage, safety and knowledge is paramount. I highly recommend that it is not attempted without at least being taught the basics, either by research using the internet or books, or by attaining the services of an experienced teacher. There are many aspects to take note of during this kind of play; including asphyxiation and nerve damage. Do not be an idiot; Play safely.

To this end we contacted Esinem for his offer on residential private tuition and made plans to visit him at his home and studio in London for an intensive training course to further our learning.

After copious hours of practice and training with both Esinem and Nina Russ (living and breathing rope bondage for three days), I personally have developed a great respect for the rope bondage models that you see in all the images across the internet. I make it a personal rule to experience anything that I intend to put anyone else through (this is true for all forms of BDSM play that I practice). This kind of bondage can be incredibly painful (especially rope suspension). For me, the weekend was a significant learning experience which tested my endurance and stamina to great lengths. For Benjamin; well, let us just say he has returned from the experience with a slightly frazzled brain from taking in so much information, sore fingers from extensive use of the rope and a significantly vaster knowledge of the artform (as well as his own set of Asanawa Tossa Lite 6mm Jute ropes, a birthday present from me and my partner).

We do plan on having further private tuition with Esinem and Nina in the near future, but we must first put what we have learned over this last weekend into frequent practice. This kind of skill takes a great amount of time and dedication.

Thanks to the wonderful Nina Russ, I also experienced full rope suspension. Another thing which I do not recommend unless in the hands of an experienced and well practiced individual. To quote Esinem’s website:

“As safety is a prime concern, please be aware that, like so many good things in life, there is always possibility of accidental injury. Rope suspension is undoubtedly edge play and should only be undertaken by those who are physically and mentally up to the challenge. Suspension is safe but not without risk, regardless of proficiency or experience, so is definitely RACK (Risk Aware Consensual Kink) rather than entirely SSC (Safe Sane and Consensual). The more extreme suspensions require a high degree of fitness and often a reasonable pain threshold, so don’t imagine everyone can do what professional models make look easy!”

Luckily, I was physically and mentally adequate, however, as I mentioned earlier in this blog post, the whole weekend experience (full suspension, partial suspension and constant floor practice) has given me a profound respect for rope bondage models. It is definitely not easy.

Despite the aches and pains that I was suffering by the end of the weekend and despite the fact that I am not naturally submissive, I could not resist the chance to be tied up and partially suspended by the man himself.

Enjoy the photos.

 

All photography is unedited.

Photos courtesy of Esinem and Nina Russ.
Photography by Nina Russ.
All images are Copyright © 2012 AemiliaHawk. All Rights Reserved.

Compassionate? Me?

This will be my fifth blogger award nomination. Previous nominations have included:

1. The Reader Appreciation Award. (Sunflowers… I am glad I can only be nominated once.)
2. The Beautiful Blogger Award. (I feel pretty, oh so pretty!)
3. The Very Inspiring Blogger Award. (Naturally.)
4. The META Awesomest Blog Unicorn Award. (Sparkly pink, I kid you not. Still not over that one.)

This time I have been nominated for the Compassionate Communicator award by Quantumphysica and while I am metaphorically ‘over the moon’ to be nominated, I must say: “Compassionate? Moi? Disgraceful slander I tell you!”

Guidelines…

1. That in awarding it to a blogger you simply link it to one of their blog posts which you feel has personally benefited you in some way (See below).
2. You give a brief explanation of why you feel it benefited you (See below).
3. On accepting the award you link back to and thank the person who awarded it to you (Done).

So, without further ado, to the links and reasoning:

• The Kinky Life of Bowz: A very cute but informative blog written from the perspective of a 23 year old submissive masochist female by the name of ‘Bowz’. Personally, I love it when someone gets into BDSM at such a young age and I think it is excellent how she mixes up good, solid BDSM advice with her own budding exploration and experiences. While her blog is packed with excellent opinions and information, my personal favorite of the posts she has written is about how she believes she is experiencing ‘Anti-brainwashing’: http://bigpinkbowz.wordpress.com/2012/09/14/help-help-im-going-through-anti-brainwashing/
• Deviant Wench: Written by a married submissive feminist, her blog is filled with stories and opinions on the kinky things she gets up to. Whenever I need a smile on my face, this is the blog I go to. She always makes me laugh; The latest post of hers which made me giggle can be found at: http://deviantwench.wordpress.com/2012/09/20/and-you-may-ask-yourself-well-how-did-i-get-here/
• Pet Etiquette: A mixture of both vamp and BDSM topics with a nice concoction of shorts, poetry and views. Interesting reading when I manage to spot her new posts. Naturally, despite the post being so short, my favorite of hers is when she mentioned me: http://petetiquette.wordpress.com/2012/05/03/not-bad-i-say/
• We’re all mad in here: Written by the very lady who nominated me for this award. A blend of pretty much everything goes into her blog; From Etsy.com shop suggestions and letters to her psychiatrist, to poetry and stories about the events in her life (Some BDSM orientated). Every single post is interesting. Every single post will make you think or spark on emotion. I cannot list a favorite because there is so many, so I will just link to her main page and let you all see for yourselves: http://wereallmadinhere.wordpress.com/

Happy reading.

 

 

Introductions: Scylla & Charybdis

Given my insatiable passion for hitting things with other things, it seemed appropriate for my loving submissive Benjamin to purchase me a pair of new floggers for my birthday.

Granted, my birthday is not for another month (28th October to be exact), but he had given them to me early because it had been arranged for them to be picked up from their creator at a recent event; and he could not resist my beguiling charm to use them at the same event (purely to make sure they functioned correctly, of course). Naturally, once they were in my hands, he could not take them back.

Due to the circumstance to which they were attained, as well as the humorous aspects pertaining to anyone who might feel their falls, they have been given the names Scylla and Charybdis. If you know your Greek mythology, you will know what I mean, but for those who do not, a helpful link has been provided (the ignorant will remain blissfully so).

Similar to Sasha, Tempest and Angele, only the most special of my items get given names and I will explain why these floggers are particularly special:

This pair of floggers have been custom made and designed according to my preferred specifications and intended as a gift for my birthday from my submissive (this should make them special enough, but there is more). The ball-handles (not to be confused with normal handles as they are used completely differently) have been made out of the same wood (dymond wood) that the handles of Sasha and Tempest had been made from, keeping to the uniform of the most special items in my continuing collection. Each have a 20 inch fall of soft black suede leather (this is a longer fall than normal, but my personal preference) and matching belt clips (made from the same leather) were also included.
During construction several hitches in the design were hit. One of which was the wood itself: Apparently dymond wood is quite fragile when compared to the woods normally used in the creation of flogger handles and because of this the ball-handle design needed to be changed. The creator (Jack’s floggers) came up with the unique design of adding steel pins through the core of the handles to make them strong enough to sustain through the inevitable beatings they will dish out.
The design proved so fiddly and annoying to complete that once the floggers were finished, the creator decided to abandon the idea of crafting any more; making these floggers the only pair currently in existence and highly unlikely to be reproduced without being incredibly expensive.

I have always been a flogger enthusiast and I have never seen a pair so beautifully made or better suited for me.

I love them.

And yes, before anyone asks, I know which is which and I can easily differentiate the two.

Thankyou Benjamin for my beautiful birthday twins.

All images are Copyright © 2012 AemiliaHawk. All Rights Reserved.

A Velvet Thought – Mistresses Musings: What is the difference?

Recently I was asked what the difference is between a professional Dominatrix and a lifestyle Dominatrix. I thought my reply was worth posting to blog and I have thrown financial Domination in the mix as well because this has also been asked of me in the past:

A financial Dominatrix has no skill in any of the BDSM arts. They are not a true Mistress, they simply pose as one. It is unlikely you will meet them anywhere apart from online. All they will do is demand that you give them money or pay their bills. They demand cash in exchange for nothing (aside from possible verbal abuse or online humiliation).
These people tend to give professional Domination a bad name because many people fail to differentiate between financial and professional Domination as there are quite a few professional Dominants who practice financial Domination.
I personally loath this practice. In my opinion they are on a par with beggars or ‘spongers’. I believe that money given should be money earned and I class financial Dominants as lower than pond scum on the evolutionary ladder.

A professional Dominatrix is basically one who plays in a dungeon with a paying client. The client has a fetish, kink or BDSM fantasy and would like to act it out. It is a form of drama therapy and while it may be erotic or sensual, there is never any sex ( if sex is involved then they are a prostitute, not a Dominatrix).
The majority of professional Dominatrices have a normal life when they leave the dungeon (When I say majority, I can only comment on my own experiences and acquaintances. Around 90% of all I have met. And when I say normal, I mean of course a vanilla existence). They do not spend a large portion of their life studying BDSM practices. They have a very basic knowledge of the equipment, normally what they have been told by friends, played with in the bedroom, have seen on TV or what they may have had shown to them by other Mistresses or submissives at their dungeon of residence. This level of skill coupled with common sense and safety is often enough to deal with a large portion of paying clients. Most clients have a very generalised fetish (often something they have seen on television or on the internet) which tend to be very simple to do. They do not often attend BDSM events or clubs because they consider the play their job and there is no profit in attending such places.
I must stress that this opinion is based solely on the professional Dominants that I have met. The other 10% tend to be incredibly skilled because they are usually both lifestyle as well as professional. The key is, of course, noticing this before passing judgement simply on their choice of profession. The lifestyle professionals tend to do it for a living because they love BDSM so much.

A lifestyler (or lifestyle Dominatrix, if you prefer) is one who does it because they love it. It is part of their everyday life. They often go to great lengths to get high quality or specialised equipment (I rarely use the equipment on show in the dungeon as I prefer my own) and they spend a great deal of time learning the skills involved in their chosen BDSM activities. They tend to attend the events, clubs and venues because it is their passion and not simply a job.

Essentially it comes down to this: Give a financial Dominatrix a flogger and she will demand money from you to have the privilege of passing it to her hand (and she will have no clue as to how to use it or have any inclination to do so. Of course, this is if you actually manage to meet them in the flesh), give a professional Dominatrix a flogger and (9 times out of 10) she will show you how to hit someone with it for money, give a lifestyle Dominatrix a flogger (preferably someone that has a few years experience) and she will show you how to make it dance.

There is a lot of information on the internet about the differences. These are of course just my own observations and opinions. I am forever hoping to have these opinions improved upon, but this is how they stand to date.

I am both lifestyle and professional. I am of the minority. I do this for a living next to my small business (even my small business is BDSM orientated) and it has been my passion and a major part of my life for almost 10 years.

Constructive opinions appreciated if anyone would care to give their own interpretations. Is my opinion flawed?

Feeling the eyes.

Whump, whump, whump, whump.

Time tends to slow down when you are in the moment. Everything seems to be in high definition and the only things that matter are the sensations. The sound and wind created by the dual floggers cutting through the air, the scent of sweat and leather, the feel of every impact sending vibrations through the body and the burn that penetrates every muscle from the exertion.

You can feel the eyes on you. The excitement in the air is like a drug. Addictive for an extrovert like myself.

With the beat of the music pumping through the club and influencing motion and impact, it swiftly turns into a dance. Erotic and sensual. This in turn attracts more eyes and the play becomes heavier. More visual. A performance to feed the spectators who are in turn feeding the extroverted desires.

By this point, the only way to stop the cycle is for the music to end. I am having too much fun.

Whump, whump, whump, whump.

With his arms raised and restrained to a Shibari ring that dangled from the ceiling, his back and shoulders are taking the majority of the beatings. Florentine style to be exact. Rash reddened and sore, he will bruise. But he too is being emotionally fed. Everyone is.

He raises his index fingers to the sky. Our prearranged signal that I am pushing beyond his threshold. I am oblivious to it. I know him and what he can take. The music had not stopped yet. He could endure. He ‘would’ endure. Limits are always best when at their extremities.

Now the thuds are louder than the music.

Whump… whump… whump… whump…

As the beat slows, so do the impacts. Breath is heavy. Sweat sheens the skin. The heat is comfortably uncomfortable as the world around phases back.

And then the music ends. I twirl the floggers to untangle them before clipping them to my waist. A spinning motion like a carousel. An elegant way to end. Aesthetically pleasing.

With a sure foot and gentle hip sway, I close the distance towards him to inspect the damage more closely. The skin looks tender. Tempting. Inviting. I gently run my claws down his neck and back. He shivers and groans at the sensation. A perfect finale.

With a short motion, I unclip his wrists and he slumps forward slightly. Drained. He turns, rests his head on my breast and I gently stroke the back of his neck. He had taken more punishment than originally intended. He deserved my gentler touch and aftercare. He had done exceedingly well.

Nothing needed to be said. Actions always speak far louder than any word. He attentively kissed my cheek. A “thank you”.

After a cigarette and a drink, maybe we would go at it again with a new song.

I do so love an audience.