Flogging, dragon tail and impact play workshops for 2014

Every year I tend to get many requests to do workshops where I teach people safety and techniques on various styles of BDSM play.

I do not charge anyone for doing a workshop. All I ask is that my fuel/travel expenses are covered and that I am allowed a Kabunza trade stand at the event in question.

Having a trade stand at a workshop/event allows me to earn the money for my time separately as well as allowing me to share safe knowledge as freely as possible. Essentially minimising what an event needs to charge people for having the good sense to actually do the research and learning in their BDSM interests.

My events page has been updated to include all events that I will definitely be attending in 2014.

This year seems to be filling up unusually fast and I still have several requests to consider, so I thought it might be best to publish a blog post reminding people to get their requests for workshops in as quickly as possible.

My contact details can be found: Here.

Don’t delay if you want me for a specific date or event. Once I place an event on my blog page, it is pretty much set in stone unless the event itself is cancelled.

Concept & Design: Demonic cloven hoof / knee-high boot hybrid

One of the skills required to be a successful Dominatrix is imagination. Without being able to dream up scenarios, tortures, temptations and other sinful activities, a Dominant would not get very far at all. A moderate to high level of wit is a prerequisite to be competent in this kind of lifestyle or profession.

Even with my business: Kabunza, I dream up concepts and creation ideas on a daily basis to be crafted in our workshop.

Back in 2009, I came up with a design for creating a demonic cloven hoof/knee-high boot hybrid. My aim was to add to my already demonic looking persona by extending these features into my clothing. The majority of my clothing was already custom created and I have always preferred deviating as far from the mundane as possible, so this kind of eccentricity in clothing did not seem odd to me at all. I would still wear these if I could ever find someone to make them for me. I also realise the possible ponyplay applications of such footwear, but that is beside the point.

In 2010 one of my very talented artist friends came to live with me for a while, and it was during the course of her stay that we managed to sit down in front of her computer to create a visual representation of my concept. Her name is Linda Jones (formerly Linda Pitman) of www.sheblackdragon.com.

One night, after many glasses of a rather vulgar sweet brandy, we had the basic concept sketches saved to file (which managed to take up about 6 hours of an evening because of the alcohol fueled, sidetracking anecdotes and titllating conversation). We unsteadily motioned to bed at around 4 in the morning with vows to finish up the artwork on the following day, and sure enough, as expected, the next morning we spent a further 3 hours in front of the computer screen finishing up the design art; such is the pace at which we meandered during the course of the 6 month period that she lived with me.

So, because I have recently stumbled across the design amongst my archived files and photos, and because a lot of heart went into the artwork and concept (as well as a lot of expensive brandy), I have decided to publish the design to blog in the hope that one day someone skilled enough might build me a pair.

I will explain in detail each part of the concept: fitting, materials, design etc. But please be aware that I have never been a shoemaker or cobbler, so while I am fairly certain that the design would work and work well, it may still need tweaking in the material options or physical creation side of things.

The images have been watermarked for copyright but they should not get in the way of showing off the design.

Let us start at the base and work our way up to the finished concept. These two images below show the hoof cast part of the construction. The first is what the hoof cast would look like as the foot is slipped inside it and the second is a cut section showing where the foot fits inside the cast.

Basically what is needed is the base of a standard high heel boot (or shoe) with the heel removed and any material from the ankle upwards removed (an inner shoe). The hoof would be cast around this using acrylics or resin. Support is given to the heel using the same materials and would also create the main bulk of the hoof. The space between the outer hoof and the inner shoe would be filled tightly.

The outer hoof needs to be made from a hard material, but a softer and more comfortable material would be better for filling the gap between the outer hoof and the inner shoe. A silicone rubber or something similar would probably be optimal. It needs to be softer but also durable, heavy and quite solid to avoid the foot moving or rubbing on the inside the hoof. The space between the inner shoe and hoof would need to be filled completely and would likely need to be a tight fitting.

The base of the hoof would need a rubber plate or grip to make sure that when walking on a smooth surface such as concrete or hardwood floor, the wearer would keep their footing. Without any grip a person would end up slipping and tripping all over the place (please see the last image in this blog for a diagram of underneath the hoof and what the grip should look like in my opinion).

As you can see from the cut section image, the hoof resin would support the heel quite solidly when combined with the sole of a high heel. However, should more support be needed then a thin metal plate could be shaped and placed between the hoof resin and inner shoe for a stronger support.

Next we look at the leather sleeve.

The leather sleeve is essentially the upper part (from ankle to knee) of a standard pair of knee high boots with added leather to accommodate the ankles, the heel and to overlap a small portion of the hooves. This upper boot is sewn/attached directly to the foot opening of the hoof resin, roughly where you can see the dashes in the image signifying stitching. A small overlap of leather is then left to flap over the hoof so that the stitching is hidden. This gives the appearance of the hoof being more realistic.

Like any pair of knee high boots there will be a zip on the inside of the leg for ease of wearing and removing. The laces and buckles have a purely aesthetic value and would have nothing to do with the functioning of the finished item.

In this last image we see the design from a slight angle as well as the underside of the hoof to show off the grip.

If anyone can help me in the construction of this item, please let me know as I would be very eager to see my design made real. If you wish to use an image or create this design for your own purposes, in part or in whole, please ask. We will most likely be happy to condone it as long as we are fully aware of where and why.

Design and Concept ©2010 Aemilia Hawk. All rights reserved.
Artwork ©2010 Linda M Jones. All rights reserved.

No Champagne.

Written by Benjamin.
Edited by Aemilia Hawk.

A story about one of our play sessions that my Benjamin has been asking me to write for some time. However, lately I have not been in the mood to write short stories. So, I told him to write up the story from his perspective and that I would publish it on the blog after adding to it and editing it.

Enjoy.

It was a Tuesday evening and I made my way to the dungeon for the usual session with my Mistress. I thought it would just be a regular session. I was wrong.

On arriving at the house doorway, I paused slightly in the entryway before ringing the bell. It is very similar to visiting the dentist. There is a clean smell but at the same time, an unnerving sense. Once you step beyond the barred metal door, you give up all rights and you are at the whim of the Mistress to do as she pleases.

I rang the doorbell and waited for the clicking sound of heels which I normally hear as Mistress approaches the door to let me inside. I waited and I listened. I heard no sound this time.

Suddenly the door opened. It was the house slave.

“Good evening, the Mistress is expecting you and is awaiting your arrival upstairs.” he said with a welcoming smile.

I glanced at my watch to double check that I had arrived on time. I was a few minutes early.

“Is everything alright?” I asked as I stepped through to the hallway.

“Everything is fine, the Mistress is waiting for you in the purple room tonight, she demanded that you be sent up as soon as you arrived. Enjoy your evening.”

As I made my way up the thin staircase, I could see the dull glow from the dungeons candles seeping through the curtain door and as I entered, the first thing I saw is Mistress sitting on her Iron throne, smoking a cigarette and looking quite relaxed.

I try my hardest not to show any nerves. She always says that she can smell fear. So far she has never been wrong. But I manage to greet her as normal. There was a short silence as I waited for her reply. The tone of her voice can usually give away some clues as to how heavy the evenings play will be, but this time the words were soft and sensual.

“Come here.”

I approached slowly to stand in front of her and I offered her my usual gift which she accepted gracefully. There was a certain glint in her eye as she placed the gift to one side and in a single word told me to undress.

My nerves kicked in again. Normally I am undressed by the time she enters the dungeon but I turned away and begin to do as I was told.

“Face me. I wish to watch.”

With her watchful gaze upon me, I returned to face her and begin to take off my clothes piece by piece to place neatly in the corner. She smiled as I removed the last item and then gestured to the floor in front of where she sat. A signal of her wish to have me kneel at her feet.

After a few peaceful moments of sensation, Mistress running her claws through my hair and behind my ears, she leaned forward and whispered for me to stand in front of the slanted post, which I did immediately. She followed, but slowly. Standing from her throne and making sure every click of her heel could be savored as she walked towards me.

Normally just my hands and feet are secured, but this time she also secured my waist and made sure my movement would be limited.

“I want you fully secure tonight” She said in her voice like silk. “You will understand why in a few moments.”

I took in a deep breath and tried to think of something to say. I decided that it is probably best to say nothing at all.

Once secure, Mistress walked slowly towards the door, pausing only briefly to turn and smile at me before disappearing out. She returned a minute later carrying a large black box with silver accents. There was no mistaking her vintage violet wand (Angele) which she placed directly next to me on a waist height spanking stool.

My trepidation built as she took her time connecting all of the leads into the machine along with the body contact pad attachment. Then slowly lifting one side of her Steampunk skirt to reveal her left stocking top, she sensually slid the pad inside. For me this was breathtaking to watch, but unexpectedly she then lifted the other side of her ruffled skirt to reveal a small dagger tucked inside the top of her other stocking.

The dagger was tenderly removed and Mistress stood for a few moments before me, watching my expressions intently and caressing the blade tip with her claws. When she is not pressured for time, she likes to take her time, which can be all the more unnerving.

Eventually, she turned to one side and switched on Angele. The machine is not like a modern violet wand which would hum and whirr, Angele rumbles and growls, and had now electrified both my Mistress and the dagger in her hand.

Mistress returned her gaze and looked at me with such tenderness that I became oblivious to what she was about to do. The look in her eyes was one of content and pure confidence as she leaned in close to press the dagger against my chest and hold it still against the skin.

The initial shock of cold steel upon the skin outweighed the electrical discharge. As long as the dagger was pressed firmly and not moved, the electricity would not be felt.

“Now you see why I want you secure” she said softly as her body leaned in close for a few moments to press against mine.

And then it happened; she quickly stepped back and drew the dagger in a diagonal line across the bare of my chest. With the electricity running through it, it had the same sensation as if the knife was burning through the flesh and cutting deeply. A red line appeared in its wake, tracing the daggers branding and you could smell the scent of burning flesh.

Mistress paused and held the knife still, stopping the pain. She then leaned in close, again to press her body against mine before tracing the line she had just drawn across my chest with a claw. She deeply inhaled the scent in the air and a grin of utter pleasure formed on her lips.

“No Champagne” She said in that deceptive soft tone and referring to our normal safe word, revoking the privilege.

So, I took in a deep breath, closed my eyes and tried my best to find my sub space.

Kinbaku and Shibari: Private tuition with Esinem and Nina Russ – 14/10/12

From the 12th October -14th October, Benjamin and I spent the weekend in London under the tuition of the Shibari and Kinbaku professionals : Esinem and Nina Russ.

Rope play has always been an interest of mine (unfortunately, having claws can make it difficult to master effectively; ergo, I have never done advanced courses), but when Benjamin was introduced to images and movies of it, he fell in love with the artform and expressed a huge desire to learn it. I, in turn, have nurtured this desire (as well as offering to be his practice model) and after several months of play, practice and research, higher learning for him was inevitably required.

When it comes to any form of bondage, especially rope bondage, safety and knowledge is paramount. I highly recommend that it is not attempted without at least being taught the basics, either by research using the internet or books, or by attaining the services of an experienced teacher. There are many aspects to take note of during this kind of play; including asphyxiation and nerve damage. Do not be an idiot; Play safely.

To this end we contacted Esinem for his offer on residential private tuition and made plans to visit him at his home and studio in London for an intensive training course to further our learning.

After copious hours of practice and training with both Esinem and Nina Russ (living and breathing rope bondage for three days), I personally have developed a great respect for the rope bondage models that you see in all the images across the internet. I make it a personal rule to experience anything that I intend to put anyone else through (this is true for all forms of BDSM play that I practice). This kind of bondage can be incredibly painful (especially rope suspension). For me, the weekend was a significant learning experience which tested my endurance and stamina to great lengths. For Benjamin; well, let us just say he has returned from the experience with a slightly frazzled brain from taking in so much information, sore fingers from extensive use of the rope and a significantly vaster knowledge of the artform (as well as his own set of Asanawa Tossa Lite 6mm Jute ropes, a birthday present from me and my partner).

We do plan on having further private tuition with Esinem and Nina in the near future, but we must first put what we have learned over this last weekend into frequent practice. This kind of skill takes a great amount of time and dedication.

Thanks to the wonderful Nina Russ, I also experienced full rope suspension. Another thing which I do not recommend unless in the hands of an experienced and well practiced individual. To quote Esinem’s website:

“As safety is a prime concern, please be aware that, like so many good things in life, there is always possibility of accidental injury. Rope suspension is undoubtedly edge play and should only be undertaken by those who are physically and mentally up to the challenge. Suspension is safe but not without risk, regardless of proficiency or experience, so is definitely RACK (Risk Aware Consensual Kink) rather than entirely SSC (Safe Sane and Consensual). The more extreme suspensions require a high degree of fitness and often a reasonable pain threshold, so don’t imagine everyone can do what professional models make look easy!”

Luckily, I was physically and mentally adequate, however, as I mentioned earlier in this blog post, the whole weekend experience (full suspension, partial suspension and constant floor practice) has given me a profound respect for rope bondage models. It is definitely not easy.

Despite the aches and pains that I was suffering by the end of the weekend and despite the fact that I am not naturally submissive, I could not resist the chance to be tied up and partially suspended by the man himself.

Enjoy the photos.

 

All photography is unedited.

Photos courtesy of Esinem and Nina Russ.
Photography by Nina Russ.
All images are Copyright © 2012 AemiliaHawk. All Rights Reserved.