Concept & Design: Demonic cloven hoof / knee-high boot hybrid

One of the skills required to be a successful Dominatrix is imagination. Without being able to dream up scenarios, tortures, temptations and other sinful activities, a Dominant would not get very far at all. A moderate to high level of wit is a prerequisite to be competent in this kind of lifestyle or profession.

Even with my business: Kabunza, I dream up concepts and creation ideas on a daily basis to be crafted in our workshop.

Back in 2009, I came up with a design for creating a demonic cloven hoof/knee-high boot hybrid. My aim was to add to my already demonic looking persona by extending these features into my clothing. The majority of my clothing was already custom created and I have always preferred deviating as far from the mundane as possible, so this kind of eccentricity in clothing did not seem odd to me at all. I would still wear these if I could ever find someone to make them for me. I also realise the possible ponyplay applications of such footwear, but that is beside the point.

In 2010 one of my very talented artist friends came to live with me for a while, and it was during the course of her stay that we managed to sit down in front of her computer to create a visual representation of my concept. Her name is Linda Jones (formerly Linda Pitman) of www.sheblackdragon.com.

One night, after many glasses of a rather vulgar sweet brandy, we had the basic concept sketches saved to file (which managed to take up about 6 hours of an evening because of the alcohol fueled, sidetracking anecdotes and titllating conversation). We unsteadily motioned to bed at around 4 in the morning with vows to finish up the artwork on the following day, and sure enough, as expected, the next morning we spent a further 3 hours in front of the computer screen finishing up the design art; such is the pace at which we meandered during the course of the 6 month period that she lived with me.

So, because I have recently stumbled across the design amongst my archived files and photos, and because a lot of heart went into the artwork and concept (as well as a lot of expensive brandy), I have decided to publish the design to blog in the hope that one day someone skilled enough might build me a pair.

I will explain in detail each part of the concept: fitting, materials, design etc. But please be aware that I have never been a shoemaker or cobbler, so while I am fairly certain that the design would work and work well, it may still need tweaking in the material options or physical creation side of things.

The images have been watermarked for copyright but they should not get in the way of showing off the design.

Let us start at the base and work our way up to the finished concept. These two images below show the hoof cast part of the construction. The first is what the hoof cast would look like as the foot is slipped inside it and the second is a cut section showing where the foot fits inside the cast.

Aemilias cool demon boofs (hoof cast) copy

Aemilias cool demon boofs (cut section) copy

Basically what is needed is the base of a standard high heel boot (or shoe) with the heel removed and any material from the ankle upwards removed (an inner shoe). The hoof would be cast around this using acrylics or resin. Support is given to the heel using the same materials and would also create the main bulk of the hoof. The space between the outer hoof and the inner shoe would be filled tightly.

The outer hoof needs to be made from a hard material, but a softer and more comfortable material would be better for filling the gap between the outer hoof and the inner shoe. A silicone rubber or something similar would probably be optimal. It needs to be softer but also durable, heavy and quite solid to avoid the foot moving or rubbing on the inside the hoof. The space between the inner shoe and hoof would need to be filled completely and would likely need to be a tight fitting.

The base of the hoof would need a rubber plate or grip to make sure that when walking on a smooth surface such as concrete or hardwood floor, the wearer would keep their footing. Without any grip a person would end up slipping and tripping all over the place (please see the last image in this blog for a diagram of underneath the hoof and what the grip should look like in my opinion).

As you can see from the cut section image, the hoof resin would support the heel quite solidly when combined with the sole of a high heel. However, should more support be needed then a thin metal plate could be shaped and placed between the hoof resin and inner shoe for a stronger support.

Next we look at the leather sleeve.

Aemilias cool demon boofs (final)

The leather sleeve is essentially the upper part (from ankle to knee) of a standard pair of knee high boots with added leather to accommodate the ankles, the heel and to overlap a small portion of the hooves. This upper boot is sewn/attached directly to the foot opening of the hoof resin, roughly where you can see the dashes in the image signifying stitching. A small overlap of leather is then left to flap over the hoof so that the stitching is hidden. This gives the appearance of the hoof being more realistic.

Aemilias cool demon boofs (inner boof) copy

Like any pair of knee high boots there will be a zip on the inside of the leg for ease of wearing and removing. The laces and buckles have a purely aesthetic value and would have nothing to do with the functioning of the finished item.

In this last image we see the design from a slight angle as well as the underside of the hoof to show off the grip.

Aemilias cool demon boofs (outer 3D)

If anyone can help me in the construction of this item, please let me know as I would be very eager to see my design made real. If you wish to use an image or create this design for your own purposes, in part or in whole, please ask. We will most likely be happy to condone it as long as we are fully aware of where and why.

Design and Concept ©2010 Aemilia Hawk. All rights reserved.
Artwork ©2010 Linda M Jones. All rights reserved.

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A steady hand.

The sound was like running a wet finger over the rim of a crystal wine glass. A steady, single toned hum cutting through the dungeons background music. A Bakes Rosebud Dilator being stroked up the shaft with a moist disinfectant towel. I have come to appreciate the soft echos they make.

I am always meticulous about hygiene, but when it comes to urethral sounding, I am overly cautious. A single speck of dust can cause infection to set in. Every sounding rod is cleaned thoroughly before and after use. It has become a ritual and part of the play. It aroused him every time. There is something incredibly erotic about being chained to a wall while a scantily clad dominant woman strokes phallic shaped metal rods in front of you. He was erect and eager, watching me slowly clean my toys and waiting with anticipation.

“Number 5 and number 6 Bakes, 7/8mm Hegar, Vibrating UD, Wartenberg wheel”, my thoughts while adhering to the ritual sounded oddly mathematic and the medical instruments being laid out neatly on the small, tissue clothed spanking stool next to where he was restrained made it look like I was preparing to operate on his vital organ. I was taking my time and could smell the trepidation building within him, but the look on my face remained peaceful and serene, like nothing was out of the ordinary.

I gently placed the last of my cleaned tools onto the stool and lined it up neatly with the rest. I was ready to begin.

Turning sharply towards him and grabbing his manhood roughly, I leaned in close to his face with my teeth on show. He inhaled deeply and his body went taut as my claws gently prickled his sensitive skin.

“Mine” I growled through a clenched jaw as I tightened my grip.

His voice broke and shuddered as he nervously released the air in his lungs. “Y-yes Mistress”

Keeping eye contact, I gentled my grip and slid my hand up towards his tip, my fingers cradling the meatus of his penis while my other hand grabbed the 7mm Hegar from the makeshift medical table. His arousal was evident and was oozing pre-ejaculate.

I slid the 7mm Hegar sounding rod into his urethra. After months of practice my hand was expert and precise, I no longer needed my eyes to see what I was doing, I simply felt my way along the tract and his natural fluids supplied the lubricant. A slight twist at the bend of the rod and within seconds it was inside at the full length. His eyes widened at having been penetrated so forcefully, surgically and swiftly. His attempts to lean forward were dulled by the restraints and my relaxed facial expression turned to one of smiling pleasure as I held the rod steady and watched him finally give that shaky exhale that I have grown to expect and enjoy whenever something impacts his system.

The first rod is always the simplest. Easy, quick, pleasurably shocking and it stretches the ducts slightly for more complex play later.  His clear liquid oozed through my fingertips as I held the rod in place and with my unsullied hand I lovingly ran my claws through the hair behind his ear.

It was going to be a long and very pleasurable evening.

And I was just getting started.

Hegar Urethral sounds

Bakes Rosebud Urethral Sounds

8mm Vibrating Urethral Dilator (VUD)

Wartenberg Pin Wheels

All images are Copyright © 2012 AemiliaHawk. All Rights Reserved.